27 March 2013

Out With a Whimper: The Death Knell of Community


It seems as if I have been writing about television a lot lately. Perhaps I need to work on my reading/television balance. Anyway. . . 

Community, like Arrested Development and Freaks and Geeks before it, is going the way of Janice Joplin and James Dean--untimely, youthful deaths that lead to beatific devotion by a committed group of fans who will forever wonder, what if? Granted, they are still making episodes of Community, but the show will never be the same without show creator and showrunner Dan Harmon and that has been fully evident in the first several episodes of the new season.

When news of Harmon's release from the show came out last year I let out an audible gasp, not unlike when I found out Bill Snyder retired for the first time as Kansas State's football coach or that Rage Against the Machine was breaking up (in retrospect I am a bit ashamed of being so moved by the latter). Why do the perfect things always end? (I am not talking about Rage Against the Machine anymore.)

Community is/was, as far as it goes for me, the most fascinating show on television. It was witty, parodic, meta. It basically took every convention of the sitcom and inverted it. There was a claymation Christmas episode, a clip show with clips never featured in an prior episode, two Glee sendups, a mockumentary of Ken Burns's Civil War series, an entire episode about Dungeons and Dragons, a bottle episode about a lost pen, two paintball wars, a zombie episode, John Goodman in a ponytail, and the dean (oh, the dean!). The Sam and Diane couple, Jeff and Britta, are revealed to having been sleeping with each other without the group's knowledge for an entire year. This was not a typical sitcom by any standard.

And now it is dying. Not because Season Three wasn't awesome. It was. It was totally awesome. But because America would rather watch eight incarnations of CSI and Two and a Half Men. And everything on television is subject to the tastes of a culture for whom Honey Boo Boo is an icon. It is hard for works of art, on network television at least, to survive in that environment. 

But part of me also thinks that Community will in the long run benefit enormously from its short run. Harmon will almost certainly benefit from this long term. He gets to be the genius who was kicked off his brainchild only to watch it founder without his guiding hand, only adding to the aura of his genius. Maybe it is because I am so naturally uncreative, but it is hard for me to imagine a show as different as Community sustaining itself for seven or eight seasons without descending into an unfunny caricature of itself. This is, in fact, what we have seen this season as the show is helmed by different talent. Perhaps Harmon could have kept up the brilliance for another season, but there are only so many other places a show like that can go.

I think of how terrible The Office has been without Steve Carrell, and let's be honest here, it was headed downhill before he left, and I can't help but be grateful that Community has been (likely) spared the same fate. It will die after this season and its first three seasons will sit on my shelf as artifacts of untarnished brilliance. And I will remembers its death kindly. It is not Janis Joplin's Cheap Thrills or James Dean in Rebel Without a Cause and the eternal "what if?", but Mickey Mantle retiring, not because he wasn't still good, but because he wasn't Mickey Mantle anymore. In that sense, and in those situations, you are glad that people called it quits, even if their death is somewhat forced. We remember Barry Sanders with more affection than Brett Favre for a reason. Quitting with grace is better than not knowing when to stop. So for your own sake, Community, just quit and die already and let us eulogize you properly. "Goodnight, sweet prince. And flights of angels sing thee to thy rest."

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